Meet the Filmmaker

I'm Finn, and I believe life is an art and a science.

Finn Johnson, founder and lead cinematographer of Ryzein Wedding Films, camera in hand on a wedding day.
Finn Johnson, Founder & Lead Cinematographer
IWhy I Do This

You can't reshoot a wedding day.

I started Ryzein because I love the intersection of technology and creative expression. Just as an artist chooses the paints, brushes, and palette that work for them, the right cameras, lenses, lights, and audio equipment let me bring my films to life.

There are no second takes at a wedding, no “let's run that again.” That is what makes the tools I use so important. I take pride in the cutting edge systems I've developed: they make your vows sound as heartfelt as the day they were spoken, they capture your loved ones' every expression as the doors open, and they are fortified against the chaos and unpredictability of the day. You'd be surprised how common a poorly timed sneeze, an echoing great hall, or an energetic child's antics can be.

I call these systems All Encompassing Audio and Full Coverage Video. Without getting into the technical detail, they are comprised of the finest paints, brushes, and palettes I've curated over the years, and they allow your wedding day to be brought to life in exquisite detail, and without interruption.

IITrained by the Best

I learned this craft on weddings most people only read about.

Before Ryzein, I trained under Alexander Ma, one of the most respected wedding filmmakers in the field. Learning from him meant holding myself to a standard with no room for “good enough,” on days where the stakes could not have been higher.

There is exactly one chance to get it right.

One of those days was the wedding of country superstar Luke Combs. Being on a shoot at that level taught me something no classroom could: how to stay calm, invisible, and completely dialed in while a moment you only get once unfolds. I bring that same composure to every wedding I film, whether it's three hundred guests in a ballroom or twelve people in a intimate garden ceremony.

Finn Johnson standing with country musician Luke Combs.
Photo + video team for Luke & Nicole Combs’ wedding
IIIIt's an Art and a Science

A wedding film is an art. I treat it like a science, too.

I earned my bachelor's in economics, with a specialization in data science, at the University of Wisconsin in Madison. Perhaps like you, I often wonder whether the degree was worthwhile. I can point to plenty of skills I acquired through the sleepless nights and difficult exams, but when I think about what I truly took away from those years, I always conclude that the people they brought into my life are what made them worthwhile.

I got to film alongside cinematographers like Ian Tunney and Samuel Li, producing spec projects (films made with no paying client, so filmmakers can practice their craft) that brought together large teams of talented people, and to build competition drones with Badgerfly, a group of engineers I learned so much from. Together, we took second in accuracy in 2024 at the Vertical Flight Society's national design and build competition.

The spec-projects crew gathered around a cinema drone at night after a shoot.
Finn Johnson working over a heavy-lift cinema drone under a single spotlight.
Finn Johnson and a teammate tuning a competition drone on a workbench at the Vertical Flight Society design-and-build competition.
ArtScience

These two endeavors, filmmaking and engineering, may seem incongruent, but I've never seen the two worlds as opposites. The rigor of data science and engineering, contrasted against the freewheeling, exploratory nature of cinematography, turns out to be exactly the toolkit an artist needs to experiment at the edge of what's possible.

A lone tree carved out of the darkness by a single drone-mounted beam of light.
photo from ‘Eclipse’, heavy lift drone washes light over MX rider

Drones remain a source of inspiration for me. In my free time, I enjoy experimenting with open source software that conducts orchestras of drones in elaborate light shows. The technology behind preprogrammed shows is well studied and mature; the most interesting research, from an entertainment perspective, is commanding those swarms in real time. SPARKED, a collaboration between ETH Zurich, Verity Studios, and Cirque du Soleil, demonstrates the idea, and Fan Shisan is a prime example of artistic expression and engineering prowess melded together. Where the art and the science meet, engineering in service of a feeling, is where I always want to live. That is the reason every advanced tool I own is included in each package I offer. I include them because I genuinely love using them, and because pushing myself with new and exciting technology is the whole reason I started Ryzein in the first place.

IVThe Technical Edge

What all that gear is really for.

As I've said, technology is a big part of what drives me to create. However, I believe technology applied overzealously can lead to adverse outcomes. At the core of all innovation is the opportunity to improve people's lives. For wedding filmmaking, this means always keeping you at the center of the equation: your vows, the venue, and above all else the expression of your vision for your wedding. The result is a film you can return to again and again, like the movie you put on when you've had a really good day, or a really hard one.

The promise, made concrete. Every couple I film gets, as standard:

Aerial drone coverage

Immersive audio

Full video coverage

Two cinematographers

Nothing held back, just who you are.

VHow I Work

The day stays yours.

I'm there to capture your story, not to direct it. I get to know you before the wedding, I read the room on the day, and I work quietly enough that most of your guests barely notice me. With two cinematographers on every vow and reaction, we can afford focus on being at the right place at the right time so nothing is ever missed.

01

We get to know you first

Before I ever pick up a camera, I learn your story and your vision for the day.

02

Two artists, never one

Two cinematographers on every wedding, so every angle and every reaction is covered.

03

Yours to relive forever

Your finished film is delivered online within 8 to 12 weeks, ready to relive and share for the rest of your lives.

VIIn Their Words

From the couples who trusted me with their day.

Finn was absolutely amazing to work with. He made sure our day ran smoothly and stayed longer than he was scheduled to make sure he captured every detail. I would recommend him to anyone!

Megan Agnew

The Fields Reserve

Finn sent us the sneak peek video and it is breathtaking! He has been amazing to work with and was so open to trying any ideas we brought up. Our venue coordinator even mentioned multiple times that Finn was their favorite videographer they've ever worked with. All around just amazing!

JoAnna Noack

The Wildwood Barn & Cottage

I would highly recommend Finn for all your videographer needs! Watching our wedding videos makes me feel like I'm reliving it all over again. Finn gave us so many great cues and ideas and was very helpful throughout our whole day!

Tiffany Bash

Pheasant Valley Barn

By Inquiry Only

Let's make sure your day is never forgotten.

I take a limited number of weddings each year so every couple gets my full attention. A handful of dates remain for 2026 and 2027: tell me about your day.